The work of this cerebral artist was a force of change, deeply influencing modern art including the De Stijl artists and Bauhaus instructors. Lazar Markovich Lissitzky listen (Лазарь Маркович Лисицкий, November 23, 1890 – December 30, 1941), better known as El Lissitzky (Эль Лисицкий), was a Russian artist, designer, photographer, teacher, typographer, and architect. Lissitzky experimented with new technologies and media, developing a style that helped define 20th-century propaganda and modern graphic design. In Hannover hatte er 1922 die Kunsthistorikerin Sophie Küppers kennengelernt, 1927 heiratete das Paar und lebte in Moskau. info); November 23 [O.S. El Lissitzky’s colored lithographic volume of the traditional Passover song “Khad gadye” (One Kid; 1919)—a reworking of earlier watercolors dating from 1917–1918—marked his last innovation as a participant in the Jewish art renaissance. Eliezer „El“ Lissitzky war ein bedeutender russischer Avantgardist und hat durch vielfältige Aktivitäten in den Bereichen Malerei, Architektur, Grafikdesign, Typografie und Fotografie sowohl theoretisch als auch praktisch maßgeblich zur Realisierung und Verbreitung konstruktivistischer Ideen beigetragen. composition: 12 1/8 x 12 5/8" (30.8 x 32.1 cm); sheet: 21 x 17 7/8" (53.3 x 45.4 cm). Trained originally as an architect, he began his career illustrating Yiddish children's books. Other graphic designers, such as Russian born constructivist El Lissitzky and the Hungarian born Làszlo Moholy-Nagy, did also create art work which merged photos with elements of abstract geometric shapes. El Lissitzky was born Eleazar Markovich Lisitskii, in the town of Pochinok, a small, heavily Jewish-populated community in the western region of the former Russian Empire. Die Erste Russische Kunstausstellung Berlin 1922, für deren Organisation und Gestaltung Lissitzky aktive Mitarbeit leistete und dessen Katalog seine Titelseite prägte, zeigte seine Gemälde Stadt, Proun 2c und Proun 19d sowie Buchillustrationen und weitere Werke. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union. Nach längerem Aufenthalt in Deutschland und der Schweiz (1921–1925) kehrte er 1925 in die Sowjetunion zurück und unterrichtete bis 1930 an der Moskauer Kunsthochschule Wchutemas in der Abteilung Stahl und Metalle. His development of the ideas behind the Suprematist art movement were very influential in the development of the Bauhaus and the Constructivist art movements. Publishers of technology books, eBooks, and videos for creative people, Home Die Themen seines Werks sind stark von seiner politischen Einstellung geprägt. Figure 3 Pages from For the Voice, poetry book by Vladimir Mayakovski, 1923. These 10 illustrations share a common page design, always divided into three parts. The visionary constructor. He foreordained the development of architecture and design of the XX century. by Vladimir Mayyakovsky, designed by El Lissitzky,1927. Russian-Soviet painter, architect, graphic designer, photographer, artist and type designer: Date of birth/death : 10 November 1890 (in Julian calendar) 30 December 1941 Location of birth/death: Pochinok: Moscow: Authority control: Q152233; VIAF; ISNI; ULAN; LCCN; NLA; WorldCat; Licensing. To him, sequencing the pages of a book felt like cinema. November 11] 1890 – December 30, 1941), known as El Lissitzky (Russian: Эль Лиси́цкий, Yiddish: על ליסיצקי‎), was a Russian artist, designer, photographer, typographer, polemicist and architect. He experimented with photomontage, a method of layering and superimposing multiple images. Biography of El Lissitzky Childhood. © 2020 Pearson Education, Peachpit. Jan 27, 2014 - This Pin was discovered by Robert Basik. 1918 wurde er Mitglied der Abteilung für Bildende Künste (ISO, russisch Изобразительный Отдел) der Kulturabteilung NARKOMPROS in Moskau. Most of his work was politically oriented, as was most of the work produced in that era. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for … El Lissitzky was Jewish and began his career as an illustrator of children's books in Russian language and culture. El Lissitzky is one of the leading artists of Russian and European avant-garde. El Lissitzky übte verschiedene Lehrtätigkeiten aus, unter anderem ab 1919 an der Kunsthochschule im weißrussischen Wizebsk (vom damaligen Direktor Marc Chagall angeworben; an der Hochschule lehrte auch Kasimir Malewitsch). > Dec 27, 2018 - Explore Clyde Shuman's board "Lissitzky, El" on Pinterest. Beat the Whites with the Red Wedge (“ Клином красным бей белых! El Lissitzky’s “Beat the Whites with the Red Wedge” is the perfect example of this. Book cover for Good! Cette affiche de 1919 est l’une des plus marquantes d’El (abréviation de Lazar) Lissitzky (1890-1941). 1920–1921 war er Leiter der Architekturabteilung der Wchutemas in Moskau. Posters et affiches d'artistes indépendants sur le thème El Lissitzky. The Suprematist movement was born in Russia, the brainchild of painter Kasimir Malevich, who advocated for art built on abstract geometric shapes and flat colors. Lazar Markovich Lissitzky, known as El Lissitzky, was a Russian artist, designer, photographer, typographer, polemicist and architect. The New Man (Neuer) from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show Victory over the Sun (Figurinen, die Plastische Gestaltung der elektro-mechanischen Schau Sieg über die Sonne). 1928 war er künstlerischer Leiter bei der Gestaltung des Sowjet-Pavillons auf der internationalen Presseausstellung Pressa in Köln. Lissitzky experimented with new technologies and media, developing a style that helped define 20th-century propaganda and modern graphic design. Lissitzky, El (*1890 Potschinok, †1941 Moskau) Der russische Architekt und K nstler El Lissitzky (eigentl. El Lissitzky (1890-1941) was an artist, designer, photographer, typographer, polemicist and architect. He was an important figure of the Russian avant-garde. El Lissitzky is rightly classified as a “pioneer” in exposition design. El Lissitzky is one of the leading artists of Russian and European avant-garde. El Lissitzky. Seine Proun-Bilder sind Bildkompositionen aus geometrischen Figuren, die eine räumliche Wirkung auf der zweidimensionalen Fläche erzielen. El Lissitzky, Russian painter, typographer, and designer, a pioneer of nonrepresentational art in the early 20th century. Unique El Lissitzky Posters designed and sold by artists. Wie viele andere Russen in seiner Lage ging er daraufhin nach Deutschland und studierte 1909–1914 Architektur und Ingenieurwissenschaften an der Technischen Hochschule Darmstadt; das Studium schloss er 1915 mit dem Diplom in Moskau ab. This is a faithful photographic reproduction of a two-dimensional, public domain work of art. Nach Kindheit und Jugend in Smolensk bewarb sich El Lissitzky 1909 an der Kunsthochschule von Sankt Petersburg, wurde dort aber als Jude abgewiesen. El Lissitzky uses the constructivists’ style but not for the same objectives. Lissitzky believed that art and design could communicate in a nation where much of the population was illiterate. El Lissitzky uses the constructivists’ style but not for the same objectives. Articles (The appropriately named Black Circle is one of Malevich’s works.) Book cover for The ISMs of Art, El Lissitzky, 1924. El Lissitzky, Russian born in 1890, was one of the few to influence the Bauhaus school of design in the early 1900’s. Посмотрите больше … El Lissitzky (1890-1941) was an artist, designer, photographer, typographer, polemicist and architect. A teacher for much of his career and ever an innovator, Lissitzky's work spanned the media of graphic design, typography, photography, photomontage, book design, and architectural design. Although he suffered from tuberculosis, he rarely slowed down. Lazar Markovich Lissitzky (Russian: Ла́зарь Ма́ркович Лиси́цкий, listen ; November 23 [O.S. information), 23 Novembre [ OS 11 Novembre] 1890-1830 Décembre, 1941), connu sous le nom El Lissitzky ( russe: Эль Лисицкий, yiddish: על ליסיצקי), était un artiste, designer, photographe, typographe, polémiste et … Discover (and save!) Lissitzky’s design work had several distinguishing characteristics—layouts structured on a grid, limited color palettes, tense diagonals, sans serif type, and repetition of pure geometric forms. He drains the visual elements from their real meaning, yet keeps the same style. It’s not surprising that Russian designer El Lissitzky drew influence from the Suprematists early in his career; his work often combined elements on a strong diagonal axis, giving his designs a new, dynamic quality. Teaching, writing, traveling, and working for publications like Veshch-Objet-Gegenstand, along with his friendly demeanor, helped spread his ideas around the world. His innovations in typography, advertising, and exhibition design were particularly influential. READ: Explore how contemporary designers are using their talents as Lissitzky did to prompt social change: Designing for Social Change: Strategies for Community-Based Graphic Design, by Andrew Shea, Ellen Lupton, and William Drenttel, The Design Activist’s Handbook: How to Change the World (or Your Part of It) with Socially Conscious Design, by Noah Scalin and Michelle Taute, Figure 4 “Beat the Whites with the Red Wedge,” poster, 1919, Figure 5 Cover of Arckhitektura (Architecture), 1927. Geometrische Elemente wurden in einen für jedermann verständlichen politischen Symbolismus verwandelt. Er prägte mit seinem Stil die Gestaltung seiner Zeit. El Lissitzky was a Russian born artist, designer, typographer, photographer and architect who designed many exhibitions and propaganda for the Soviet Union in the early 20th century. All rights reserved. El Lissitzky worked on the journal "The USSR in Architecture", for which Lissitzky and his wife, Sophie Lissitzky-Küppers, designed a great many issues. Lazar Markovich Lissitzky, known as El Lissitzky, was a Russian artist, designer, photographer, typographer, polemicist and architect. One of his most famous works was a propaganda poster titled Beat the Whites with the Red Wedge, done around 1919. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. Design by Barney Bubbles. Throughout his career, Lissitzky advanced a number of methods, ideas, and movements that had a large and significant impact on contemporary art — particularly in the fields of graphic design, exhibition design, and architecture. Universal artist El Lissitzky (1890-1941) is one of the key protagonists of constructivism. I am a product of organization; my mom has instilled in my mind that everything should be kept neat and in its place. “Proun” means “proekt utverzdeniya novogo” (design for the confirmation of the new). He argued that artists were the agents of change in life, and visual arts needed to have clear messages in order to reach… One from a portfolio of ten lithographs. 25.05.2014 - Просмотрите доску «El Lissitzky» в Pinterest пользователя uliana bychenkova, на которую подписаны 539 человек. His diverse talents in painting, architecture, typography, and design allowed him to connect movements like Constructivism, De Stijl, Dada, and the Bauhaus. 1927–1928 bekam er den Auftrag zur Gestaltung des Abstrakten Kabinetts in der Niedersächsischen Landesgalerie Hannover. 26.06.2014 - Автор пина:Patrick Newhouse. November/ 22. El Lissitzky (1890-1941) was an artist, designer, photographer, typographer, polemicist and architect. El Lissitzky. The visionary constructor. Eliezer „El“ Lissitzky (russisch Эль Лисицкий, wiss. El Lissitzky's artistic career was abstract, theoretical, community-oriented, and idealized in communist equality. Er pflegte Künstlerbekanntschaften mit Hans Arp (gemeinsame Arbeit an der Schrift Die Kunstismen, die 1925 veröffentlicht wurde), Kasimir Malewitsch, Jan Tschichold und Willi Baumeister. His famous prouns (short for “projects of the approval of the new”) conquered Europe – the “Prouns’ Room” was created in Berlin, and the principles developed by Lissitzky were used by such artists as V. Tatlin, P. Mondrian, etc. El Lissitzky. A key figure in the vanguard of Bolshevik artists who shaped the aesthetic program of Soviet Russia, El Lissitzky was a pioneer of design, architecture, typography, and installation art. See more ideas about Constructivism, Suprematism, Russian constructivism. > Design, 1890–1941 | born: Pochinok, Russia | education: Technische Hochschule, Polytechnic Institute of Riga. November 11] 1890 – December 30, 1941), known as El Lissitzky (Russian: Эль Лиси́цкий, Yiddish: על ליסיצקי‎), was a Russian artist, designer, photographer, typographer, polemicist and … is a 1919 lithographic Soviet propaganda poster by artist Lazar Markovich Lissitzky, better known as El Lissitzky. El Lissitzky, né Lazar Markovitch Lissitski, est un artiste russe né en 1990 à Pochinok (Russie) et mort à Moscou en 1941. El Lissitzky continues to have a notable impact on both the design and art world. His stylistic characteristics and experimentation with production techniques developed in the 1920s and 30s have been an influence on graphic designers … At the top is a Hebrew letter as a numeral in animal form. From Wikimedia Commons, the free media repository. His work greatly influenced the Bauhaus and constructivist movements and he experimented with production techniques and stylistic devices that would go on to dominate 20th-century graphic design. El Lissitzky (1890–1941) Alternative names: Čeština: El Lisickij. El Lissitzky was born Eleazar Markovich Lisitskii, in the town of Pochinok, a small, heavily Jewish-populated community in the western region of the former Russian Empire. Rick Poyner, design-critic and author, notes in his book: No More Rules, Graphic Design and Postmodernism (2003), that “young designers constantly evoked the achievements of … Jump to navigation Jump to search. Followers of Suprematism believed art need not serve any function beyond its intrinsic, spiritual value. Rick Poyner, design-critic and author, notes in his book: No More Rules, Graphic Design and Postmodernism (2003), that “young designers constantly evoked the achievements of … El Lissitzky's 1927 design for architecture at VkhUTEMAS. Sein Werk beeinflusste dann die De-Stijl-Bewegung und das Bauhaus. El Lissitzky continues to have a notable impact on both the design and art world. The architect, photographer, designer, graphic artist and painter first studied architecture at Darmstadt Technical University (1909-14) and in Moscow (1914-18), and then followed Marc Chagall’s invitation to teach at Witebsk Art School, where he met Kazimir Malevich. He was one of the principal innovators of modern typography and photo… Zusammen mit Kurt Schwitters arbeitete er an der Zeitschrift Merz. One from a portfolio of ten lithographs. In Berlin gab er mit Ehrenburg die dreisprachige Kunstzeitschrift Vešč – Objet – Gegenstand heraus. Shop affordable wall art to hang in dorms, bedrooms, offices, or anywhere blank walls aren't welcome. El Lissitzky (1890-1941) Lazar Markovich Lissitzky was a visionary artist/designer who worked in exhibition design, photomontage, poster and book design. Lissitzky was a Russian avant-garde artist who did not limit himself to developing a form of abstract painting but rather extended the new functionalism to photography, book design, architecture and urban planning. English: El Lissitzky. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich , and designing numerous exhibition displays and … Seit 1931 war er leitender Künstler-Architekt der ständigen Bauausstellung im Kulturpark Gorki in Moskau und ab 1932 ein ständiger Mitarbeiter als Buchkünstler für die Zeitschrift USSR im Bau. Postmodernism was the rejection of the Modernism movement. As such, the book also stands as one of the finest examples of early 20th century concrete poetry, albeit of a collaborative nature in which not the poet alone, but the designer and the poet worked together to achieve what is considered to be El Lissitzky's most spectacular achievement in book construction as well as a landmark event in the history of modern graphic design. November 11] 1890 – December 30, 1941), known as El Lissitzky (Russian: Эль Лиси́цкий, Yiddish: על ליסיצקי‎), was a Russian artist, designer, photographer, typographer, polemicist and architect. Mostly notably he integrated typography and page elements into a new and dynamic compositional style. Below is an examples of a self-portrait made by Lissitzky in 1920 (see fig 2) and a photomontage called «The Law of Series» by Làszlo Moholy-Nagy in 1925 (see fig 3) (www.moma.org, 2014). Der vollständige Text des Artikels ist hier →, UNOVIS (УНОВИС) (The Champions of the New Art), https://de.wikipedia.org/wiki/El_Lissitzky, Cover of booklet of Soviet Division of the International Exhibition of Hygiene in Dresden, Cover for 'Good!' El Lissitzky designed many books, posters, exhibitions, and other kinds of Soviet propaganda. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union. A propaganda poster is done to promote a specific cause, often social or political. To him, sequencing the pages of a book felt like cinema. Continuing an occasional series about the work of particular artists or designers being used on record sleeves. 1920–21, published 1923. El Lissitzky: El Lissitzky (1890-1941) Lazar Markovich Lissitzky was a visionary artist/designer who worked in exhibition design, photomontage, poster and book design. … November 11] 1890 – December 30, 1941), known as El Lissitzky (Russian: Эль Лиси́цкий, Yiddish: על ליסיצקי‎), was a Russian artist, designer, photographer, typographer, polemicist and architect. November 11] 1890 – December 30, 1941), known as El Lissitzky (Russian: Эль Лиси́цкий, Yiddish: על ליסיצקי ‎), was a Russian artist, designer, photographer, typographer, polemicist and architect. It is considered symbolic of the Russian Civil War in Western publications. in Potschinok, Russland; † 30. I automatically wanted to further research this genre because it is something I can’t really understand. Lissitzky received his initial art training in Vitebsk (now Vitsyebsk, Belarus), These were the Constructivists. In den 1930er Jahren war er Mitglied der Künstlerbewegung Abstraction-Création in Paris. El Lissitzky übte verschiedene Lehrtätigkeiten aus, unter anderem ab 1919 an der Kunsthochschule im weißrussischen Wizebsk (vom damaligen Direktor Marc Chagall angeworben; an der Hochschule lehrte auch Kasimir Malewitsch). The way he organized space gave words a new energetic power. Graphic Icons: Visionaries Who Shaped Modern Graphic Design, The Type Project Book: Typographic projects to sharpen your creative skills & diversify your portfolio, The Designer's Guide to Product Vision: Learn to build your strategic influence to shape the future. During the post-war period, emerged a new style in graphic design called the Swiss Style, which led to the appearance of the International Typographic Style (International Style). info); November 23 [O.S. A key figure in the vanguard of Bolshevik artists who shaped the aesthetic program of Soviet Russia, El Lissitzky was a pioneer of design, architecture, typography, and installation art. Feb 10, 2016 - Explore Jung Chao's board "El Lissitzky" on Pinterest. Находите и прикалывайте свои пины в Pinterest! Dies ist ein Teil des Wikipedia-Artikels, der unter CC-BY-SA-Lizenz verwendet wird. 1923 erkrankte er an Tuberkulose, die er in einem Sanatorium in Locarno behandeln ließ. A key figure in the vanguard of Bolshevik artists who shaped the aesthetic program of Soviet Russia, El Lissitzky was a pioneer of design, architecture, typography, and installation art. Русский: Эль Лисицкий. De l'originalité à petits prix pour vos murs tout nus. He drains the visual elements from their real meaning, yet keeps the same style. He aimed to establish a visual language using shape and color instead of letterforms; in his famous political poster Beat the Whites with the Red Wedge, geometric shapes tell the story of the revolutionaries shattering the establishment. In der Oktoberrevolution 1917 sah Lissitzky einen künstlerischen und sozialen Neubeginn für die Menschheit. Elizer Markowitsch Lissitzki) studierte von 1909 bis 1914 Architektur bei Joseph Maria Olbrich in Darmstadt und von 1914 bis 1918 am Polytechnikum in Riga, wo er sein Diplom als Ingenieur ablegte. Mar 20, 2017 - Your Generation (1977) by Generation X. The New Man (Neuer) from Figurines: The Three-Dimensional Design of the Electro-Mechanical Show Victory over the Sun (Figurinen, die Plastische Gestaltung der elektro-mechanischen Schau Sieg über die Sonne). See more ideas about constructivism, constructivist, russian constructivism. Lissitzky’s design work had several distinguishing characteristics—layouts structured on a grid, limited color palettes, tense diagonals, sans serif type, and repetition of pure geometric forms. 1920–1921 war er Leiter der Architekturabteilung der Wchutemas in Moskau. Other graphic designers, such as Russian born constructivist El Lissitzky and the Hungarian born Làszlo Moholy-Nagy, did also create art work which merged photos with elements of abstract geometric shapes. Beat the Whites with the Red Wedge - El Lissitzky - 1919 His use of primary colours and shapes demonstrated the relationship between design and the events that took place. In dieser Zeit entstanden auch seine experimentellen Entwürfe mit dem Namen Proun, einem Akronym für «Projekt für die Behauptung des Neuen», welches als Weiterführung des Suprematismus in die dritte Dimension verstanden werden kann. Lissitzky experimented with new technologies and media, developing a style that helped define 20th-century propaganda and modern graphic design. Unique El Lissitzky Posters designed and sold by artists. During the post-war period, emerged a new style in graphic design called the Swiss Style, which led to the appearance of the International Typographic Style (International Style). El Lissitzky is an inventor of a new art movement, that he called "prouns". As such, the book also stands as one of the finest examples of early 20th century concrete poetry, albeit of a collaborative nature in which not the poet alone, but the designer and the poet worked together to achieve what is considered to be El Lissitzky's most spectacular achievement in book construction as well as a landmark event in the history of modern graphic design. Rarement un artiste a eu un impact aussi important sur pratiquement toute l’avant-garde du XXème siècle. The work of this cerebral artist was a force of change, deeply influencing movements and related figures such as De Stijl and the Bauhaus. ” Klinom krasnym bey belykh!) info); November 23 [O.S. Dezember 1941 in Moskau) war ein bedeutender russischer Avantgardist und hat durch vielfältige Aktivitäten in den Bereichen Malerei, Architektur, Grafikdesign, Typografie und Fotografie sowohl theoretisch als auch praktisch maßgeblich zur Realisierung und Verbreitung konstruktivistischer Ideen beigetragen. In 1921, Lissitzky was among a group of artists who broke away from the Suprematists to focus on practical design to aid Russia’s new communist state. Lazar Markovich Lissitzky, known as El Lissitzky, was a Russian artist, designer, photographer, typographer, polemicist and architect. He experimented with photomontage, a method of layering and superimposing multiple images. Mit seiner Ablehnung des ihn gestalterisch einschränkenden Gutenbergschen Bleisatzes sah El Lissitzky früh die Wende zum Fotosatz voraus. El Lissitzky’s "Cabinet of Abstraction" (Kabinett der Abstrakten) was commissioned in 1927 by Alexander Dorner for the Hannover Provincial Museum. your own Pins on Pinterest Lissitzky experimented with new technologies and media, developing a style that helped define 20th-century propaganda and modern graphic design. El Lissitzky was born on November 23, 1890 in Pochinok, a small Jewish community 50 kilometers (31 mi) southeast of Smolensk, former Russian Empire.During his childhood, he lived and studied in the city of Vitebsk, now part of Belarus, and later spent 10 years in Smolensk living with his grandparents and attending the Smolensk Grammar School, spending summer vacations in Vitebsk. See more ideas about constructivism, russian constructivism, suprematism. Partly because of his constant expansion and experimentation into many different mediums and styles, and his spirit of innovation in them, Lissitzky's work is generally held in high regard by historians and critics. November 1890greg. A teacher for much of his career and ever an innovator, Lissitzky's work spanned the media of graphic design, typography, photography, photomontage, book design, and architectural design. El Lissitzky is an inventor of a new art movement, that he called "prouns". Feb 10, 2016 - Explore Jung Chao's board "El Lissitzky" on Pinterest. Plusieurs formats disponibles. Shop affordable wall art to hang in dorms, bedrooms, offices, or anywhere blank walls aren't welcome. composition: 12 1/8 x 12 5/8" (30.8 x 32.1 cm); sheet: 21 x 17 7/8" (53.3 x 45.4 cm). Wikipedia entry Introduction Lazar Markovich Lissitzky (Russian: Ла́зарь Ма́ркович Лиси́цкий, listen ; November 23 [O.S. Universal artist El Lissitzky (1890-1941) is one of the key protagonists of constructivism. Transliteration Ėl' Lisickij; eigentlich Лазарь Маркович Лисицкий / Lasar Markowitsch Lissitzki   anhören?/i; * 10. That integration produced layouts that not only engaged the eye, but also clarified and emphasized the content. “Proun” means “proekt utverzdeniya novogo” (design for the confirmation of the new). See more ideas about constructivism, constructivist, russian constructivism. Mostly notably he integrated typography and page elements into a new and dynamic compositional style. 1920–21, published 1923. The architect, photographer, designer, graphic artist and painter first studied architecture at Darmstadt Technical University (1909-14) and in Moscow (1914-18), and then followed Marc Chagall’s invitation to teach at Witebsk Art School, where he met Kazimir Malevich. Er war Mitbegründer des Konstruktivismus und stark beeinflusst durch den Suprematismus. El Lissitzky was born on November 23, 1890 in Pochinok, a small Jewish community 50 kilometers (31 mi) southeast of Smolensk, former Russian Empire.During his childhood, he lived and studied in the city of Vitebsk, now part of Belarus, and later spent 10 years in Smolensk living with his grandparents and attending the Smolensk Grammar School, spending summer vacations in Vitebsk. Nov 28, 2018 - Explore Valerie Fontanez's board "Designer: el lissitzky", followed by 200 people on Pinterest. by Vladimir Mayyakovsky. John Clifford, author of Graphic Icons: Visionaries Who Shaped Modern Graphic Design , profiles Russian designer El Lissitzky, whose work often combined elements on a strong diagonal axis, giving his designs a new, dynamic quality. He was an important figure of the Russian avant-garde, helping develop suprematism with his mentor, Kazimir Malevich, and designing numerous exhibition displays and propaganda works for the Soviet Union. Throughout his career, El Lissitzky was interested in graphic design, or the visual appearance of things like books, magazines, and posters. El Lissitzky, byname of Eliezer Lissitzky, also spelled Elizar Lissitzky, Russian in full Lazar Markovich Lisitsky, Yiddish Lasar Markowitsch Lissitzky, (born November 11 [November 23, New Style], 1890, Pochinok, near Smolensk, Russia—died December 30, 1941, Moscow), Russian painter, typographer, and designer, a pioneer of nonrepresentational art in the early 20th century. This purely type cover with its simple colors, bold type treatments, and powerful geometry became one of the most influential graphic designs of the 1920s. Below is an examples of a self-portrait made by Lissitzky in 1920 (see fig 2) and a photomontage called «The Law of Series» by Làszlo Moholy-Nagy in 1925 (see fig 3) (www.moma.org, 2014). He foreordained the development of architecture and design of the XX century. Als ausgebildeter Architekt sah El Lissitzky seine Arbeit als Interaktion zwischen Architektur und Malerei. A key figure in the vanguard of Bolshevik artists who shaped the aesthetic program of Soviet Russia, El Lissitzky was a pioneer of design, architecture, typography, and installation art.