[84] They were not given the opportunity to tour the Century 21 studios in Slough until their work was finished and therefore had no visualisation of their characters during the recording sessions. Neil McCallum voiced guest characters in four episodes but was also uncredited. Filming began on 20 February 1967 and was completed in two weeks. "[25] In the finished sequence, the credits are superimposed over a series of paintings that depict Scarlet in various moments of peril. Some filming coincided with the production of Thunderbird 6, which was recorded on a different stage. [1] This was later revised as a song performed by a London-based pop group The Spectrum, who had been assembled by RCA Victor as an imitation of The Monkees and happened to share their name with the organisation that appears in Captain Scarlet. [6], "The Inquisition" had been long planned. Do not try to imitate him. He had once been inspired by the thought of creating a live-action police drama in which the hero would have unexpectedly been murdered halfway through the series and replaced by a new lead character. The character's biography in, In the original script for "The Mysterons", Scarlet is resurrected with the aid of an advanced computer (Bentley, p. 15). He singles out the two versions of "White as Snow" from the episode of the same name, "Cocktail Music" from the episode "Model Spy" and a piano piece from "The Inquisition" (performed by Gray himself) for particular praise. Captain Scarlet is the code name the Spectrum Organisation has assigned to Paul Metcalfe, a fourth-generation military officer and a former colonel in the World Army Air Force Special Forces. So I went out and auditioned and got the job."[76][77]. Over the course of the series, it is discovered that Mysteron reconstructions are particularly vulnerable to electricity and can be detected by X-rays, to which they are resistant. [75][125] Grant viewed Green as an African trickster hero. [68] As with the re-designed puppets, the voice parts became less caricatured and more realistic. [21][22], Intrigued by the oft-heard phrase "life as we know it", Anderson wanted to set his alien villains apart from the conventional extraterrestrials of 1960s TV and cinema. [E 1] The city's inhabitants, the Mysterons, are sentient computers that form a collective consciousness. [10] He supports the new puppet design, contending that the increased realism would not have put off an audience familiar with the earlier design. [9] Thus, before Captain Scarlet entered production, Reg Hill and John Read[52] created a new type of puppet with the solenoid built into the chest to allow realistically-sized heads. Set in 2068, Captain Scarlet follows the "war of nerves" between Earth and the Mysterons, a race of Martians who possess partial control over matter. Powering up now." Courageous. [15] Chris Drake and Graeme Bassett argue that the episode's dependence on flashbacks makes it an "unusual" series finale. [193] In November 1988, Revenge of the Mysterons from Mars was broadcast as episode two of Mystery Science Theater 3000 on Minnesota TV station KTMA. [126], In academic publications, the diversity of the characters in terms of both race and gender has been viewed highly. [47] In his BBC Online review, Peter Marsh suggests that the music's dark tone reflects the series' presentation of realistic puppets and death, frightening alien villains and "no laughs", noting that "dissonant vibraphone chords shimmer under hovering, tremulous strings contrasted with urgent, militaristic drums and pulsing brass – driving the action ever onto its climax (and, no doubt, a big explosion). [89][90] In 2005, the Animation Art Gallery in London released limited-edition prints of the paintings signed by Francis Matthews. [79] Liz Morgan was also new to the Anderson productions and voiced Destiny Angel, leader of the Angel squadron, and one of her subordinates, Rhapsody Angel. [135] In 1993, Young Corgi Books published children's novelisations of the episodes "The Mysterons", "Lunarville 7", "Noose of Ice" and "The Launching". "[20] Sculptor John Brown remembers putting the prototype next to the Lady Penelope puppet from Thunderbirds and gauging his colleagues' response: "When they saw it, some people were horrified by the difference. His name: Captain Scarlet. [113], The series has drawn criticism for its camerawork, which some commentators regard as being too static due to the crew's inability to move the puppets convincingly. [136] Another adaptation by Hikari Asahioka ran in Shōnen Book by Shueisha from January to August 1968. This man will be our hero, for fate will make him indestructible. Tingwell, who had provided voices for Series Two of Thunderbirds as well as the feature film Thunderbirds Are Go, had been recommended by fellow Australian Ray Barrett, a regular voice artist on Stingray and Thunderbirds. ", Later prints feature an additional voice-over by Donald Gray that warns the audience:[86][87], "Captain Scarlet is indestructible. '"[105], Captain Scarlet is generally viewed as being much "darker" in tone compared to earlier Anderson series, as Andrew Billen noted in New Statesman in 2005: "Whereas Thunderbirds was about rescuing people, Scarlet was about damnation, the soul of a resurrected man being fought for between Captain Scarlet and the equally indestructible Captain Black. This practice continued in the Andersons' next three puppet series, ending with Joe 90's "The Birthday". Wilkin, Morgan and King all had various supporting roles in these two series. [5][94] By the start of the 1968, the series was being broadcast in all parts of the UK. [7] World government is a recurring concept in Supermarionation series and was inspired by Gerry Anderson's thoughts on the subject at the time: "I had all sorts of fancy ideas about the future ... we had the United Nations and I imagined that the world would come together and there would be a world government. [100] Green is the only male black character to have a significant role in any of the Anderson series. [89] Running for 17 issues between September 1967 and January 1968, the strips were written by Angus P. Allan with artwork by Ron Embleton, and were titled We Will Destroy Unity City, We Will Destroy the Observatory Network and We Shall Make Earth a Planet of Silence. [86], Beginning with the second episode, the primary title sequence leads into a teaser that is in turn followed by a secondary title sequence: as the Mysterons announce their latest threat against Earth, the "Mysteron eyes" pass over the main characters in various environments to demonstrate the aliens' omnipresence. This sequence is intended to demonstrate Scarlet's indestructibility, the bullets from the assassin's machine gun having no effect on the captain. Caught up in Earth's unwanted conflict with the Mysterons. One advantage of this method was that a puppet could pass through a doorway without necessitating a break in the shot. The heads were reduced in size to make them in proportion with the rest of their bodies, but the problem was that exact and precise movements became more vital than ever and that caused us terrible difficulties. [85] It is accompanied by a voice-over from Ed Bishop that states: "The Mysterons – sworn enemies of Earth. [29] Editing rooms, post-production offices and a preview theatre were housed in a separate building on the estate. The episode has been criticized by commentators for its failure to adequately resolve the war between Earth and the Mysterons.[3][4][5]. [39][83][L 3] All actors were paid 15 guineas (£15 15 shillings) per episode (equivalent to £288 in 2019), plus repeat fees, regardless of the size of their contributions. "Operation Time," the eighth instalment of Captain Scarlet and the Mysterons, is the instalment where it is discovered that Mysteron likenesses are impervious to X-rays and vulnerable to permanent destruction by high electrical voltages. [55], Captain Scarlet had the largest regular puppet cast of any Supermarionation production. The engineerings of the C38 Mysteron detector and the Mysteron rifle follow not long afterwards. [23][140][142] In 2004, Imavision released a French-language box set for the Canadian market. [135], Captain Scarlet was also the basis of three comic strip adventures in TV Century 21. [108] Media historian Nicholas J. Cull interprets the "war of nerves" between Earth and Mars as a reflection of strained international relations during the 1960s and likens the "enemy within" scenario of Martians taking over humans to the plots of films like Invasion of the Body Snatchers (1956). A few small niggles are the harp sounds when the Angels go to action, it just felt out of place, & you never actually see the puppets walking, okay, negatives over, it was made in the 60s, the negatives don't outweigh the positives. On the series' 50th anniversary, British company Network announced that it was releasing Captain Scarlet on Blu-ray with its episodes remastered in high definition from the original 35 mm film negatives. To give the model an aged look, Shubrook used sandpaper to wear down the walls and applied strokes of dark paint around the windows to give the impression of rain stains. A man who is different. The seven-letter words "Captain Scarlet" gradually appear in time with the seven strikes of the series' signature drum beat composed by Barry Gray. "[43], The ending theme, "Captain Scarlet", underwent significant change after the completion of the first 14 episodes. [39][41], The music for Captain Scarlet was composed by Barry Gray, who had scored all prior Supermarionation series. [20] Episode director David Lane recalls that when he first saw the prototype, "it was as if there was a little dead person in [the box] ... because it was perfect in all its proportions it just looked odd. [39] The puppet shots for each episode usually took two weeks or 11 working days to film. Realising that he has been abducted by Mysteron agents, Blue hurls himself through an observation window and lands on a painted-sky canvas, revealing "Cloudbase" to be nothing more than a replica built inside an empty warehouse. The crew also worked with Standard Telecommunication Laboratories in Harlow, Essex[L 2] on technical aspects of the production. Directed by Ken Turner. These changed the episode order and, in the case of the first two volumes, altered the episodes with the addition of footage shot for the Captain Scarlet compilation films of the 1980s. "[29] By contrast, Jeff Evans, author of The Penguin TV Companion, describes the characters as "more detailed" than before, noting that they "were given private lives and real identities, and were furnished with other biographical data. "[127], Guyanese actor Cy Grant, who voiced Green, believed that Captain Scarlet had both positive multicultural value and an allegorical nature. Teleplay by Tony Barwick. Captain Scarlet, Though the Mysterons plan to conquer the Earth, This indestructible man will show what he's worth. [58] In earlier series, the puppets' eyes had been disproportionately large; for Captain Scarlet, they were made more realistic by fixing prints of real human eyes to the puppets' eyeballs, scaled down from photographs of the eyes of production staff. [33] Other new directors were drafted in from outside APF; these were Peter Anderson, Leo Eaton and Robert Lynn, the last of whom had been an assistant director on the 1958 Hammer films Dracula and The Revenge of Frankenstein. This practice continued in the Andersons' next three puppet series, ending with Joe 90 ' s "The Birthday". I knew that Destiny was French and that Rhapsody had to be frightfully 'Sloaney,' but that was about it."[81]. [55][102] The episodes were subsequently broadcast in November and December 2001 and again in July 2003. [5] Viewing figures in the Midlands averaged 1.1 million. Running to thirty-two 25-minute episodes, it was first broadcast on ITV regional franchises between 1967 and 1968 and has since been transmitted in more than 40 other countries, including the United States, Australia, New Zealand and Japan. [184], Gerry Anderson announced plans for a live-action film adaptation of Captain Scarlet in 2000 and again in 2002 but the film remains undeveloped.[188][189][190][191]. In the first episode, the crew of the Zero-X spacecraft are investigating the surface of Mars after mysterious radio signals are found to be coming from the planet. Captain Scarlet was killed in the first episode of the series, "The Mysterons," in a car crash brought about by the Mysterons, which also resulted in the death of Captain Brown. Paul Metcalfe was born in Winchester, Virginia on December 17, 2036 to a family with a long military history, he graduated from Winchester University in 2057, at the age of 21, and then went to West Point Military University; he later transferred to the World Army/Air Force, where within 2 years, he became the youngest colonel the WAAF had known to date. [6] It was specifically written to exclude scenes from "The Mysterons", to which there are flashbacks in "Winged Assassin", "Dangerous Rendezvous" and "Traitor". [104] In Anderson's words: "I didn't expect it to continue. [93][139][140] Bonus features on these releases include audio commentaries by Gerry Anderson on two episodes, "The Mysterons" and "Attack on Cloudbase", as well as the five 1960s audio adventures. [24] He therefore made Spectrum's headquarters, "Cloudbase", an airborne aircraft carrier. Donald Gray, who had found himself typecast after performing the lead role in the detective series Saber of London, was having to resort to voice work to sustain his acting career. Consequently, the character of the World President that appears in the first episode was originally intended to be voiced by Patrick McGoohan. Launch when ready." "The Inquisition" had been long planned. The guest parts in Captain Scarlet, however, were filled by a permanent "repertory company" of over 50 puppets made to the same standards of workmanship as the main characters. [117], During its 1993 BBC re-run, Captain Scarlet became the subject of a debate about black-and-white dualism for its use of the codenames "Black" for the villainous Captain Black and "White" for the benevolent head of Spectrum, Colonel White. Blue comes round in what appears to be the Cloudbase control room facing a man who introduces himself as Colgan, a Spectrum Intelligence agent. In 1980, Robert Mandell and ITC New York combined several episodes of Captain Scarlet to make two compilation films: Captain Scarlet vs. the Mysterons and Revenge of the Mysterons from Mars. [104] The Mysterons eventually re-awaken, prompting Scarlet and Spectrum to resume their struggle. Both men were reconstructed by the aliens, who assigned their exact likenesses of both men to assassinate the World President. The voice of Lieutenant Cobalt crackled over the comm unit. Captain Scarlet is one of a number of Supermarionation productions to feature a clip-show series finale, the first of which was Stingray's "Aquanaut of the Year". You are not. [37][38] To create the Mysteron rings, the crew used the advice of producer Reg Hill, who suggested that a transparency be made that could be panned across the sets using a slide projector. Singing the title song in the end credits of "Captain Scarlet" failed to get them any significant sales, and the song was never issued commercially. "[123] Gerry Anderson stated that he pushed for a new design to satisfy the audience, viewing it not as "a case of moving to a new technique, but more a case of incorporating new ideas with existing methods. A design innovation for Captain Scarlet meant that the noses of the scale-model vehicles would "dip" when stopped, to imitate the sudden application of brakes and subsequent deceleration on a real-life vehicle. Reversing matter, also called "retro-metabolism", enables the Mysterons to re-create people and objects as facsimiles that they can control. Colgan tells Blue that he has been missing for three months and must prove his identity by giving details of Spectrum's top-secret cipher codes. Although the Mysterons are able to influence events from Mars, their actions on Earth are usually performed by their replicated intermediaries. The titles on the series were always devised by me. "The Inquisition" is the 32nd and final episode of Captain Scarlet and the Mysterons, a British Supermarionation television series created by Gerry and Sylvia Anderson and produced by their company Century 21 Productions. Captain Scarlet Vs The Mysterons was a compilation of the episodes The Mysterons, Winged Assassin, Seek And Destroy, and Attack On Cloudbase. When it came to, (Contains cues from "Precious Cargo" and "Runaway Train" (, (Contains cues from "The Mighty Atom", "End of the Road" and ", (Contains cues from "Give or Take a Million" (, (Contains an instrumental version of "Dangerous Game" from ", (Contains cues from "Avalanche", "Expo 2068" and "The Mysterons" as well as ", Production documentation confirms that the, In communications, Spectrum personnel use the call signal "S.I.G." Harmony was initially voiced by Morgan, who supplied the character's lines in five episodes. In terms of visual aesthetic, it represents a departure from Thunderbirds in its use of non-caricatured puppets sculpted to realistic body proportions. The distribution rights to much of the ITC catalogue have changed hands several times since the 1980s. [93] The set is also available in Australia and Japan.[93]. Scarlet attempts to steer the aircraft back to Cloudbase but it ends with a rather disastrous landing. Also, note that the New CGI series has drawn a positive romantic link between Scarlet and Destiny. [42], Awarding the soundtrack release a rating of four stars out of five, Bruce Eder of the website AllMusic describes the collection of theme and incidental music as "a strange mix of otherworldly 'music of the spheres', late-50s/early-60s 'space-age pop', 'British Invasion' beat, Scottish folk-inspired tunes, kids-style 'Mickey Mouse' scoring, martial music, light jazz, and light classical". [36][114] The return to 25-minute episodes, coming after Thunderbirds' 50-minute format, has been blamed for a perceived lack of subplots and drop in the overall quality of the storytelling. [24][36][59] As before, the main characters were given interchangeable heads showing a range of expressions; these included "smiler", "frowner" and "blinker" heads. [7] The framing scenes were shot on Century 21 Studios' Stage 3 between 22 and 25 November 1967 alongside filming on "The Most Special Agent", the first episode of Joe 90, on Stage 4. [70] According to Matthews, Gerry Anderson went to great lengths to cast him because he was impressed by an imitation of Cary Grant that Matthews had once used in a radio programme, and indeed the actor based Scarlet's tones on Grant's Mid-Atlantic accent. From this, Anderson reasoned that all personnel should have colour codenames and that the organisation should be called "Spectrum". I think people who make television programmes have a responsibility, particularly when children are watching avidly and you know their minds can be affected almost irreversibly as they grow up. In " Attack on Cloudbase ," Captain Scarlet is declared finally and permanently dead during the course of the battle for Cloudbase; however, this is later revealed to be Symphony Angel's hallucination as she is stranded in a desert, waiting for Spectrum to rescue her following a plane crash. They articulate the commonly made connection between technological developments and economic prosperity. [19], As a result of the cancellation, Gerry Anderson was forced to come up with an idea for a new Supermarionation series. [27][28], With Anderson serving mainly as executive producer, the majority of the writing input was supplied by Tony Barwick, who had previously written for Thunderbirds. Gerry Anderson's New Captain Scarlet (more commonly New Captain Scarlet or NCS) is a United Kingdom-produced computer generated action-adventure reboot of the 1967 Supermarionation series, Captain Scarlet and the Mysterons.Both series were produced by Gerry Anderson.As a nod to Supermarionation, the new series' computer animation was promoted as "Hypermarionation". [21] After further thought, Anderson decided that "Scarlet" would be a suitably unusual name for this organisation's "indestructible" agent, while his partner in the field could be "Blue". Anderson, who likened the episode to a black comedy, praised Barwick for his "humanised" writing of the puppet characters. [30] By the time Captain Scarlet entered production, many of the directors on earlier Anderson series – such as Alan Pattillo, David Elliott and David Lane – had either left APF or were committed to the production of Thunderbird 6, the second Thunderbirds feature film. The puppet that plays Shroeder in the flashback to "Crater 101" and a puppet that plays one of the police officers in the flashback to "Big Ben Strikes Again" also have non-speaking roles in both the Markham Arms scene (as the pianist and a patron, respectively) and the extract from "The Trap" (as two of the conference delegates). [30] The budget for the 32-episode series was set at £1.5 million (approximately £27 million in 2019). Directed by Brian Burgess. [92][93], Captain Scarlet had its official UK premiere on 29 September 1967 on ATV Midlands. [55][102], To others, Captain Scarlet remains a "camp classic". [55][194][195] Set a few years after the Mysterons apparently cease hostilities against Earth, the film sees the reappearance of Captain Black, setting the stage for a revival of the war with Mars. Captain Scarlet, Captain Ochre and Captain Magenta Strapped themselves into the well-padded seats of a Spectrum passenger jet and Scarlet began his pre-flight checks. It contains music either written for, or used in, all but three episodes ("The Heart of New York" and "Treble Cross" contain no original music and the cue recordings for "Traitor" are lost). Singing the title song in the end credits of "Captain Scarlet" failed to get them any significant sales, and the song was never issued commercially. Filming began on 20 February 1967 and was completed in two weeks. This DLC's size is 1.29 GB. For example, he remembered that during the Battle of Britain, RAF pilots had found it difficult to counter German attacks because having to take off from the ground meant that it took a long time to intercept the enemy. His name: Captain Scarlet. [104] The original strips were reprinted in the 1968 and 1969 editions of TV21 Annual. Created by Gerry Anderson, Sylvia Anderson. [32] A month before, Anderson and his team had dropped the name "AP Films", since company co-founder Arthur Provis was no longer working with Anderson, and renamed their company "Century 21 Productions". [46] With the exception of the four-note Mysteron motif, Gray generally restricted his use of electronic synthesisers to space sequences, preferring traditional instruments for Earth-bound action. ", "Main Titles (with Generic Opening Narration)", "Captain Scarlet Theme (Commercial Version)", "The Voice of the Mysterons – Alternate Score", "Trapped in The Sky Park – Alternate Score", "The Mysterons", "Winged Assassin", "Big Ben Strikes Again", "Manhunt", "Avalanche", "White as Snow", "The Trap", "Operation Time", "Spectrum Strikes Back", "Special Assignment", "The Heart of New York", "Lunarville 7", "Point 783", "Model Spy", "Seek and Destroy", "Traitor", "Renegade Rocket", "Crater 101", "Shadow of Fear", "Dangerous Rendezvous", "Fire at Rig 15", "Treble Cross", "Flight 104", "Place of Angels", "Noose of Ice", "Expo 2068", "The Launching", "Codename Europa", "Inferno", "Flight to Atlantica", "Attack on Cloudbase", "The Inquisition", "The Mysterons", "Winged Assassin", "Big Ben Strikes Again", "Manhunt", "Avalanche", "White as Snow", "The Trap", "Operation Time", "Spectrum Strikes Back", "Special Assignment", "The Heart of New York", "Lunarville 7", "Point 783", "Model Spy", "Seek and Destroy", "Traitor", "Renegade Rocket", "Crater 101", "Shadow of Fear", "Dangerous Rendezvous", "Fire at Rig 15", "Treble Cross", "Flight 104", "Place of Angels", "Noose of Ice", "Expo 2068", "The Launching", "Codename Europa", "Inferno", "Flight to Atlantica", "Attack on Cloudbase", "The Inquisition", "The Mysterons", "Winged Assassin", "Big Ben Strikes Again", "Manhunt", "Avalanche", "White as Snow"; plus episodes of, "The Mysterons", "Winged Assassin", "Treble Cross" and "Noose of Ice" (plus episodes from other, "The Mysterons", "Winged Assassin", "Big Ben Strikes Again", "Point 783", "Manhunt", "Operation Time", "Renegade Rocket", "White as Snow", "Seek and Destroy", "Spectrum Strikes Back", "Avalanche", "Shadow of Fear", "The Heart of New York", "Fire at Rig 15", "The Launching", "Lunarville 7", "The Trap", "Model Spy", "Crater 101", "Dangerous Rendezvous", "Special Assignment", "Traitor", "Place of Angels", "Flight 104", "Codename Europa", "Flight to Atlantica", "Noose of Ice", "Treble Cross", "Expo 2068", "Inferno", "Attack on Cloudbase", "The Inquisition", "Codename Europa", "Flight to Atlantica", "Noose of Ice", "Treble Cross", "Expo 2068", "Inferno", "Attack on Cloudbase" and "The Inquisition" (Plus additional documentaries), Released both separately and as a double pack with, Originally scheduled for 2003; finished but not released due to closure of Batfish Studios the same year, This page was last edited on 17 November 2020, at 06:04. Initially, it was decided that the Mysteron duplicate of Captain Scarlet would be resurrected by means of an advanced computer instead of reviving naturally, and that thereafter he would no longer be truly human but a "mechanical man" akin to an android. [86][120][121] Comparing Captain Scarlet to its immediate precursor, Gerry Anderson's verdict was clear: "Nothing was as successful as Thunderbirds. [2][10] The puppet that plays Colgan was a newly made copy of revamp puppet 19, which had appeared in various supporting roles in Captain Scarlet and was making its debut as Sam Loover in Joe 90 while "The Inquisition" was being filmed.
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